Within a large group of intellectuals and writers, Mohammad AlQash\u2019ami reviewed the beginning of his interests in the novelist AbdulRahman Munif which was in 1985. He mentioned that he worked on gathering Munif\u2019s novels and books as well as the writings about him in newspapers and periodicals. He referred to his repetitive meetings and constant dialogues with the writer who was interested to follow up the recent literary publications in Saudi Arabia while he was living abroad.
\nThe speaker talked about Munif\u2019s early life. He was born to a Saudi father and an Iraqi mother in 1933, and was raised up in Amman, Jordan. Munif finished high school in 1952, and, at then, he was notably interested in reading everything he could reach of newspapers, magazines and pocket novels due to the lack of book stores in Amman at that time.
\nHe moved to Iraq to finish his education in the Law Collage at the University of Baghdad, but he was deported from Iraq due to his opposition to Baghdad Pact. He continued his studies in Cairo, Egypt, and finished it at Yugoslavia specializing in Oil Economics. He moved to Beirut, Lebanon, to be politically active, then finally, to Baghdad to be involved in the Ba\u2019ath Party.
\nThe lecturer indicated that politics is what had led Munif to the field of literature which provided him the means to express his thoughts and ambitions. He illustrated that because of the political organization\u2019s deficiency and the political thought\u2019s incapability to contain that phase which went through major political events, Munif became more interested in culture and literature.
\nAlQash\u2019ami added that although Munif stopped being involved in the Ba\u2019ath party, he could not abandon politics entirely. He presented his political thoughts and convictions through literature, and focused on reviewing and criticizing the past political mistakes within his art.
\nThe speaker, also, reported some of what had been said about Munif by significant Arab critics like Farouq AbdulQader who said: \u201csubjective and objective conditions had allied together to make AbdulRaman Munif the Arab Citizen with distinction\u201d. AlQash\u2019ami ended reporting Munif\u2019s words \u201cno matter how hard the novelist tried to imagine the novel, it does not be without writing it. Writing is like developing the photo. Only, by writing, the novel would acquire its form, consistency and real features; before that, it is just a probability\u201d.
\nIn the time provided for comments and questions, Mohammad AlMarzouq, a journalist, wondered about the closeness of the quintet\u00a0\u201cMudun AlMilh; The Salt Cities\u201d\u00a0to the reality in Arab societies especially after oil exploration. Mohammad AlHilal, a member of Culture and Arts Society, indicated that Munif was remarkably humanitarian apart from his political experience and literary works.
\nAs for the Syrian journalist Yousif Shaghri, he referred to his relationship with Munif when he was living there. He said that the writer was extremely careful in presenting the details of his novels\u2019 characters. Moreover, Hameed Al Saif, a novelist, addressed the features of novel writing by Munif especially in the quintet of \u201cMudun AlMilh\u201d and how he conveyed a precise picture to the transformation from Bedouin to the modern life.
\nThe program was accompanied by a photography exhibition by Nawal Al Hilal who talked briefly about her experience as well as the photography fields that she is interested in like nature, portrait and heritage.<\/p>","protected":false},"excerpt":{"rendered":"
Within a large group of intellectuals and writers, Mohammad AlQash\u2019ami reviewed the beginning of his interests in the novelist AbdulRahman Munif which was in 1985. He mentioned that he worked on gathering Munif\u2019s novels and books as well as the writings about him in newspapers and periodicals. He referred to his repetitive meetings and constant […]<\/p>\n","protected":false},"author":2,"featured_media":9790,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[80,4],"tags":[],"class_list":["post-9789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-80","category-session"],"_links":{"self":[{"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/posts\/9789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/comments?post=9789"}],"version-history":[{"count":1,"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/posts\/9789\/revisions"}],"predecessor-version":[{"id":9791,"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/posts\/9789\/revisions\/9791"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/media\/9790"}],"wp:attachment":[{"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/media?parent=9789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/categories?post=9789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thulatha.com\/en\/wp-json\/wp\/v2\/tags?post=9789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}